Graduate Activities: Paulina Banas at CAA

L'art arabe

Joseph-Philibert Girault de Prangey, Émile Prisse d’Avennes, “Tombeau du soultan Tarabey (XVIe. siècle),” published in Prisse d’Avennes’ L’art arabe d’après les monuments du Kaire: depuis le VIIe siècle jusqu’à la fin du XVIIIe (Paris, Vve A. Morel et Cie., 1869-1877), Vol. I, Pl. XXVII.

Later this month, doctoral candidate Paulina Banas will present a paper, titled “Between Artists, Publishers, and Printmakers: Collaborations on ‘L’Art arabe,’ a Nineteenth-Century French Book about Egyptian Islamic Architecture,” at the annual conference of the College Art Association in New York as part of the panel “The Not-So-Silent Partner: Artistic Practice and Collaboration.” Visit CAA’s website for more information.

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