Nancy Um to speak at the University of Chicago

De haven van Mocha, 1616, Adriaen Matham, 1646. Courtesy Rijksmuseum

Nancy Um will deliver a lecture at the Neubauer Collegium at the University of Chicago on Friday, Feburary 14, 2020, at 12 pm. The talk is entitled, “From City to Text to Image: Pieter van den Broecke and Safi ibn Vali in Seventeenth-Century Mocha.”

Binghamton at CAA 2020

The following Binghamton students, faculty, staff, and alumni are presenting at CAA 2020 in Chicago. View the full program here:
Lalaine Bangilan Little, Misericordia University
“Ornament and Order in the Spanish Colonial Philippines”
Session: Barriers, Borders, and Boundaries in the Early Modern World
Thursday, February 13, 2020
8:30 AM – 10:00 AM
Hilton Chicago – 3rd Floor – Wilford C
Nancy Um, Binghamton University
Lauren Cesiro, Binghamton University
Workshop Leaders
Session: From Knowledge to Data in Art History (Digital Art History Society)
Thursday, February 13, 2020
2:00 PM – 3:00 PM
Hilton Chicago – Lower Level – Salon C-7
Claire Kovacs, Binghamton University Art Museum
Idea Exchange Host
Session: Advocacy Needs for Academic Curators
Thursday, February 13, 2020
2:00 PM – 3:00 PM
Hilton Chicago – Lower Level – Salon C – Orange Table
Paulina Banas, Maryland Institute College of Art
“Émile Prisse d’Avennes’ drawings of the Nile Valley and the construction of Islamic Egypt in the mid-nineteenth century illustrated travel album”
Session: Topographical Drawing
Friday, February 14, 2020
10:30 AM – 12:00 PM
Hilton Chicago – 4th Floor – 4K
Jess Brody, Binghmaton University
“Transgender Identity: Toyen in the Czech Avant-Garde
Session: Undergraduate Research Poster Presentations
Friday, February 14, 2020
10:30 AM – 12:00 PM
Hilton Chicago – Lower Level – Lower Level Lobby
Ihnmi Jon, Binghamton University

“Art Chinois, Chine Demain Pour Hier (Chinese Art, China’s Yesterday for Tomorrow, 1990): The Ambition of Fei Dawei as a ‘Middle Man'”

Meiqin Wang, California State University Northridge

Curating Rural Reconstruction: Zuo Jing and Art for Community Development

(Ihnmi Jon is also chair for this session)
Session: From Being to Doing: Curating Contemporary Chinese Art
Friday, February 14, 2020
4:00 PM – 5:30 PM
Hilton Chicago – 3rd Floor – Waldorf Room
Kevin Hatch, Binghamton University
“Protest/Time: Wally Hedrick’s Vietnam Series”
Session: Framing Black Paintings: Histories and Legacies in the American 20th Century
Friday, February 14, 2020
6:00 PM – 7:30 PM
Hilton Chicago – 3rd Floor – Williford A
Zohreh Soltani, Binghamton University
“The Prison of Time: Tehran’s Qasr Prison Museum as a Transfunctional Monument”
Session: Spatial and Visual (Re)production in the Middle East and Asia
Saturday, February 15, 2020
8:30 AM – 10:00 AM
Hilton Chicago – Lower Level – Salon C-6
Nancy Um, Binghamton University
Session: Art and Frontier
Saturday, February 15, 2020
8:30 AM – 10:00 AM
Hilton Chicago – 3rd Floor – Waldorf Room

Book Launch in Ukraine

More than two hundred people gathered on October 29 in Kyiv, Ukraine, for the launch of a new translation of The Burden of Representation by Distinguished Professor John Tagg. Published by Rodovid and translated by Yustyna Kravchuk, the Ukranian edition has a new afterword and new and expanded illustrations. The photographs below show preparations for the book launch in Rodovid’s offices; Yustyna Kravchuk, the translator; Maria Panchenko, project coordinator; Alona Solomadina, designer; and the audience that gathered for the talks. Rudi Giuliani, however, couldn’t be there.

Jeffrey West Kirkwood joins advisory board of the new media journal MAST

MAST is an online, open-access, and double-blind peer-reviewed journal featuring interdisciplinary scholarship in the domain of Media Study. MAST stands for “Media Art Study and Theory” and aims to publish and promote innovative research and writing by artists and scholars who present new methods, approaches, questions, and studies in the field of media study and practice. The journal is relevant to academics, artists, researchers, theorists, and art curators with an interest in artistic research, theory, and praxis of media, introducing work that demonstrates a clear and creative engagement with current debates in media studies.

Associate Professor Tom McDonough in conversation with artist Tony Cokes

On Saturday, April 27, Tom McDonough and post-Conceptual artist Tony Cokes discussed Cokes’s practice at The 8th Floor in New York, addressing several of his text-based videos currently on view in the exhibition Revolution from Without…. Drawing from sources including journalism, critical and cultural theory, popular music, and propaganda, Cokes edits and decontructs language to make visible what we suspect has been strategically removed from circulation.

Faculty Activities: Julia Walker at the Society of Architectural Historians

Assistant Professor Julia Walker will be presenting a paper this Friday, April 26, as part of the panel Agora to RiverFire: Landscapes Histories of the Public Realm at the annual meeting of the Society of Architectural Historians in Providence, RI.

Parades, Conventions, Rallies: Public Space and the Politics of Suffrage in New York State

In the United States, the turn of the twentieth century witnessed significant changes in the status of women in public space. Specific concern in this paper is the way in which women active in the suffrage movement in New York State made canny use of public space, using their new visibility in innovative ways specific both to their cause and to their time. By appearing en masse outside the private sphere, and by harnessing the power of new visual technologies like photography and film, these women inverted traditional regimes of surveillance and spatial control. Suffragists thus enacted what Jacques Rancière defines as “politics”—when “the natural order of domination is interrupted by the institution of a part of those who have no part.” For Rancière, politics is opposed to governance or rule, which he describes as “policing.” Instead, politics creates a state of indeterminacy that productively destabilizes authority. With its public squares, its streets and street walls, and its emphasis on community meeting places, I argue that the American city itself enabled this indeterminacy.

Drawing on work by scholars of gender and urbanism, this paper examines this new politics of public space. It also makes use of primary sources that have been discovered in conjunction with celebrations of the New York State suffrage centennial. Together with local and state organizations, architectural historians have been working to reveal this important history. Recent events include the city of Binghamton’s reenactment of its own significant suffrage parade and the landmarking of new sites on the “Suffrage Trail,” including the Centenary Methodist Church in Binghamton, where the state held its annual suffrage convention in 1913, and the Old Village Hall in the township of Lisle, where Florence Chauncey cast the first vote by a woman in New York State on January 5, 1918.


Assistant Professor Julia Walker interviewed on local TV news about Notre Dame fire

BU Professor Weighs in on Notre Dame Restoration

VESTAL, N.Y. –The world watched as Notre Dame, one of the world’s most well known architectural feats, burned. Though things like the roof and spire were lost amid the flames, Julia Walker, an Assistant Professor of Art History at Binghamton University believes much of the cathedral and its relics can be preserved and reconstructed.

“The preservation tactic of recent history is to show the damage, to sort of use the building as a record of history to teach viewers about history itself, to highlight the distinction between old fabric and new fabric,” said Walker. “The roof can be constructed anew and the cathedral will very much maintain its identity as the heart of Paris, the heart of French identity, and the very Catholic identity as well.”

The roof, made of medieval wood, is impossible to replace, but rebuilding a new one will be easy. The question is, how similar to make the newly constructed cathedral compared to its historic counterpart.

“It challenges authenticity,” said Walker. “It provides a lot of anxiety for a lot of people.”

Many of the artifacts inside are already being moved to the Louvre and governmental buildings. The organ made up of eight thousand pipes, some of the stained glass, and the altar were saved. Walker attributes that to the stone foundation, which provided protection for much of the building.

“The building was designed the way many Gothic cathedrals around Europe were, to withstand fire,” said Walker. “This is an example of architecture doing what it was meant to do.”