Book Launch in Ukraine

More than two hundred people gathered on October 29 in Kyiv, Ukraine, for the launch of a new translation of The Burden of Representation by Distinguished Professor John Tagg. Published by Rodovid and translated by Yustyna Kravchuk, the Ukranian edition has a new afterword and new and expanded illustrations. The photographs below show preparations for the book launch in Rodovid’s offices; Yustyna Kravchuk, the translator; Maria Panchenko, project coordinator; Alona Solomadina, designer; and the audience that gathered for the talks. Rudi Giuliani, however, couldn’t be there.

Professor Karen-edis Barzman presents paper at the Newberry Library in Chicago

Cosimo Bartoli, Del modo di misurare (Venice 1564), Book IV, Ch. 1 (fol. 98v).
Newberry Library, Case 4A 3212 Vault

Professor Karen-edis Barzman presented a paper on Friday, November 1, 2019, as part of the Seminar on European Art at the Newberry Library in Chicago, where she holds a National Endowment for the Humanities Fellowship for the academic year 2019-20.

The First Italian Guide to Mapping the State: Book IV in Cosimo Bartoli’s Del modo di misurare(1564)

Cosimo Bartoli’s Del modo di misurare(first edition, 1564) is known as a practical guide for measuring lines, planes, and solids, applied to things like the height of a tower, depth of a well, or volume of a barrel, which belong to what Bartoli terms “private interests.” Largely overlooked is Book IV, which Bartoli devotes to the mensuration of “public” things – fortresses, cities and, primarily, provinces. This section of the treatise, Barzman argues, comprised the first practical guide in Italian on mapping the state. The text entered print in Venice, where systematic mapping first arrived in a government archive. This watershed in the history of cartography occurred in 1460 and turned on assumptions Venetian administrators shared about the efficacy of pictures in storing and delivering geospatial data. Barzman’s aim is to examine the treatise in relation to cartographic practice undertaken for the Venetian republic in the management of its transregional state while also contributing to a genealogy of mapping as an information technology. Of particular interest, in addition to the operations of mapping itself, are the treatise’s woodcut illustrations and instructions on crafting the necessary sighting and measuring devices, as well as detailed guidelines for transferring the data to paper (e.g., plotting locations, scaling distances) These occur in passages that are fodder for the “expanded hermeneutics” of media studies, where attention is turned to the technical artifacts of new media rather than the contents of their products.

https://www.newberry.org/11012019-karen-edis-barzman-binghamton-university-and-jes-s-escobar-northwestern-university

Jeffrey West Kirkwood joins advisory board of the new media journal MAST

MAST is an online, open-access, and double-blind peer-reviewed journal featuring interdisciplinary scholarship in the domain of Media Study. MAST stands for “Media Art Study and Theory” and aims to publish and promote innovative research and writing by artists and scholars who present new methods, approaches, questions, and studies in the field of media study and practice. The journal is relevant to academics, artists, researchers, theorists, and art curators with an interest in artistic research, theory, and praxis of media, introducing work that demonstrates a clear and creative engagement with current debates in media studies.

Associate Professor Tom McDonough in conversation with artist Tony Cokes

On Saturday, April 27, Tom McDonough and post-Conceptual artist Tony Cokes discussed Cokes’s practice at The 8th Floor in New York, addressing several of his text-based videos currently on view in the exhibition Revolution from Without…. Drawing from sources including journalism, critical and cultural theory, popular music, and propaganda, Cokes edits and decontructs language to make visible what we suspect has been strategically removed from circulation.

Faculty Activities: Julia Walker at the Society of Architectural Historians

Assistant Professor Julia Walker will be presenting a paper this Friday, April 26, as part of the panel Agora to RiverFire: Landscapes Histories of the Public Realm at the annual meeting of the Society of Architectural Historians in Providence, RI.

Parades, Conventions, Rallies: Public Space and the Politics of Suffrage in New York State

In the United States, the turn of the twentieth century witnessed significant changes in the status of women in public space. Specific concern in this paper is the way in which women active in the suffrage movement in New York State made canny use of public space, using their new visibility in innovative ways specific both to their cause and to their time. By appearing en masse outside the private sphere, and by harnessing the power of new visual technologies like photography and film, these women inverted traditional regimes of surveillance and spatial control. Suffragists thus enacted what Jacques Rancière defines as “politics”—when “the natural order of domination is interrupted by the institution of a part of those who have no part.” For Rancière, politics is opposed to governance or rule, which he describes as “policing.” Instead, politics creates a state of indeterminacy that productively destabilizes authority. With its public squares, its streets and street walls, and its emphasis on community meeting places, I argue that the American city itself enabled this indeterminacy.

Drawing on work by scholars of gender and urbanism, this paper examines this new politics of public space. It also makes use of primary sources that have been discovered in conjunction with celebrations of the New York State suffrage centennial. Together with local and state organizations, architectural historians have been working to reveal this important history. Recent events include the city of Binghamton’s reenactment of its own significant suffrage parade and the landmarking of new sites on the “Suffrage Trail,” including the Centenary Methodist Church in Binghamton, where the state held its annual suffrage convention in 1913, and the Old Village Hall in the township of Lisle, where Florence Chauncey cast the first vote by a woman in New York State on January 5, 1918.