Border Arts Workshop’s traveling exhibition “La Linea Quebrada/The Broken Line” installed in University Art Museum

The Broken Line/La Linea Quebrada
After thirty years, the Border Arts Workshop’s traveling exhibition La Linea Quebrada/The Broken Line emerges from its silver box to grace the walls of the Binghamton University Art Museum. The recently acquired work, which deals with the experience of the Mexican American border and the border crossing expressions of Chicano/a popular culture, will be on show until January 20, 2018, in an installation curated by History doctoral student, Juanita Rodriguez, who will also deliver two gallery talks on Friday 8 December at 11:00 a.m. and 12 noon.

Advertisements

New Course: ARTH 287R (01) Art Inc.

Register Now!

Distance Learning 4-Credit Winter Session Course

Dec 18, 2017 – January 12, 2018

ARTH 287R (01)

 Art Inc.

Beginning with the corporation itself, in its postwar incarnation, this course examines the ways that artists and designers have intervened within the sphere of corporate culture – either by helping to shape its image through logo design and advertising – or by pushing against it as the case may be, such as Hans Haacke’s critique of Mobil sponsorship at the Museum of Modern Art. We go on to examine what we might call the “postmodern” corporation and the age of digital technologies, questioning how the subversive impulses of Paris in ’68 became folded into a new corporate culture, exemplified in the tendency of advertising to appropriate contemporary art. Or, how artists such as Damien Hirst, Takashi Murakami, and Jeff Koons turned themselves into corporations – the “branded” artist as it were – as well as the Conceptual play with that conceit in groups like Readymades Belong to Everyone. We conclude with a closer look at activist groups like the Yes Men who attempt to subvert that impulse.

Course Fulfills:

Harpur W – Writing Credit

A – Aesthetic Perspective Credit

Gen Ed Credit

Instructor: Wylie Schwartz

Department of Art History

Today! VizCult: Christopher Wood, New York University

The ex-voto is an offering to a deity in fulfillment of a vow, a promise made in a moment of despair.  Delivered from illness or imprisonment, the votary visits a shrine and publishes her commitment with a gift.  Ex-votos—sometimes valuable gifts, sometimes mere evidence—are often misrecognized by scholarship, which confuses them with cult images, miracle-working images, and image-borne pleas for spiritual salvation.  In fifteenth-century Italy, votaries began to offer painted panels narrating their own stories.  This new class of ex-voto, resembling works of sacred art, only invites more confusion.  The talk attempts to distinguish the ex-voto from other devotional images, including artworks, on the basis of the concepts of reference and authorship.

Faculty Activities: Karen Barzman at the Archivio di Stato di Venezia

On November 14, 2017 Karen-edis Barzman will deliver a talk titled “‘Una fortezza di tanto momento.’ Novigradi, al confine tra Dalmazia e Bosnia ottomana” (‘A Fortress of Such Great Moment:’ Novigrad, at the border between Venetian Dalmatia and Ottoman Bosnia), at the conference Castelli, Fortezze e archivi. Fonti sulle fortificazioni veneziane nello Stato da terra e nello Stato da mar , organized by the Archivio di Stato di Venezia. The conference is co-sponsored by the Istituto ellenico di studi bizantini e postbizantini di Venezia and runs from November 13-14 at the Archivio di Stato di Venezia.

 

http://www.brill.com/products/book/limits-identity-early-modern-venice-dalmatia-and-representation-difference